The process of marking up the Esther Latrobe memoir transcription was certainly a tedious process, but definitely did affect the way I understood its content. When considering when to tag things like emotions, our group had to work closely to decide what we would qualify as an emotion and to do our best to keep the tags consistent throughout the transcription. Just as Pierazzo claims in her article, with each decision about what kind of things would be marked with what tags, we were forced to deeply interpret and contemplate what the text was communicating and through this we were able to understand the text in a much more elaborate way. Because our text relied so little on travel and so heavily on emotion and prayer, we had to depend a lot on each other to maintain the use of certain tags. After the markup was complete, it was really interesting to be able to see how often certain things come up and see what points in the transcription were more eventful. We were much more clearly able to see the points of illness and of great emotion in Esther’s life and see how proximal they were in relationship to other events. It was also valuable to learn about the XML markup system and seeing the process of our transcriptions becoming viewable web pages. One of the main points that is referenced numerous times in Pierazzo’s article is about the ability of the markup to capture as much detail from the original document as is possible on a digital setting. We were able to understand this idea by learning that each character serves a purpose in a markup and by moving one piece out of place, the whole thing changes. Lastly, we were also able to experience the back end of something used in everyday life, that I have personally never seen. To experience just how elaborate encoded material is and how different it is from what actually appears on a screen is eye opening to students like me who use their computer and phone every day without much thought about what is making it work the way it does. Overall, through the markup of the Latrobe transcription, we were able to not only gain a deeper understanding of the text but also learn about the process of encoding and the way that it plays into our everyday life.
Category: Uncategorized
Blog #4
The process of marking up my transcription has affected my understanding of the text. Throughout this process, I have read my text (Samuel Tippet) many different times in many different ways\forms. The original reading was reading it online through the original document which was a bit difficult to decipher. Next, I read while transcribing what the document had said. After this, I had to proofread what I had transcribed as well as my other group members to make sure it had made sense with no errors. This is when I read the whole story and it all came together. Next, with creating the timeline it pointed out the “landmark” events in Samuel Tippet’s life such as where he was born, marriage, and more. Tagging things such as a person, place, and emotion pointed out the most important people to my group members and I. It pointed out what people were mentioned the most, the most popular places as well as what emotions he was feeling throughout his memoir which were mostly negative unfortunately. He was a sad man that turned to God in order to help him throughout his life journey.
Marking up my transcription has enhanced my understanding of the text because of rereading it several times. Each time, my group members and I had a different task such as creating a timeline, tagging, or actually publishing it. This means that we were noticing different things each time we were reading it. Most importantly, after every task, we proofread before submitting. I can confidently say I have a full understanding of my memoir after these steps.
Collaborating as an editorial board with my peers has changed my understanding of how edited texts are produced. Obviously, I knew that a lot of work had to be put in in order to produce a text. However, I did not realize how much work editors actually put in until experiencing it myself. My group and I did not even write this piece but marked it up and transcribed. Editing it was challenging because there were discrepancies over what some of the words were. We also had to make sure that names, places, and other important words were all capitalized, spelled the right way and had correct correlating tags before publishing. I now understand how important editing is to the publishing industry. It is also important to double check, reread and have another set of eyes when looking at a text. We resolved disputes over markup decisions by creating a google doc on certain words. For example, we decided to tag Jesus, Christ, and Jesus Christ. We decided not to tag Saviour or Lord. By creating rules, it helped us keep it standard throughout the text. I now commend all editors and give them a lot of props.
Along with this blog post, I uploaded two screenshots of the google doc I attached. One screenshot shows when\when not to capitalize Lord and Jesus. The other is a screenshot using a person’s name.
https://docs.google.com/document/d/15NewmsMvzz4pelwjiqQN9_ovH49tk1KW5Qk5dN5QiBo/edit
Morgan Graning is a junior at Bucknell University. She is a political science major and sociology minor. Morgan is from Long Island, New York.
Blog #3
In terms of the timeline, there is no such thing as a single timeline that explains the origin of everything. As we saw with the example with the timeline of the western world book that was shown in class it showed how the world is not composed on one single line , but a intensely complex system that stem from each other. There are many events that are happening from many parts in the world that are happening at the same time from each other. But when looking in timelines one has to understand the problems that come with it. “Addressing the problem of chronology, and especially the problem of visual chronology, means going back to the line, to understand its ubiquity, flexibility, and force… the presence of the lines couldn’t be more obvious.” (pg13)
For what it is I have come to terms with the Moravian Lives complexity on its ideas and modes of representation because one must use what was given to them to their fullest and understand that everything will not be as a simple to plot. The way that I have come to terms is by understanding the complexity of it and seeing that there won’t be a clear cut answer to solving the timeline. With the modes of representation that were used was geography, in which was used to understand the land of the areas that Latrobe use to live, and chronology, in which helped our group to be more organized in seeing the flow of time. Which both have clarified Historical events that happened during the time period. There are times where these modes can obscure small or some important details that are not told to why things led to these events.
For a timeline it can tell a story of a human being, the era of a kingdom or the environment in a specific area, but in a big picture “in which forces of disorder occupy the forefront of attention in which things happen to people rather one in which people do things.” (pg.12) For example, with Minards chart of the Russian campaign gives a “complex, but sometimes paradoxical way in which a real story is told.” (pg.23) It allowed me to see the story at a different angle in how this event transpired during that that time. Starting from a huge army then having most of the army wipe out by the winter season was told by single timeline of a line that thinned out overtime.
Mauricio Enrique Martínez is a student who is majoring in Cultural Anthropology and Japanese at Bucknell University. A wanderer in life.
Blog #3 Contextual Research
Chronology of events matters when we are representing history especially through a timeline. Chronology refers to the arrangement of events or dates in the order of their occurrence. It is a very efficient and effective way of organizing events, especially on a timeline. It matters because it shows how history changed over time and is an easy way to analyze past events, compare them with newer events, and infer what may happen in the future. We can represent history on a time line through small descriptions with the date describing an event as well as some sort of media to help the reader visualize the event. Chronology can mean something to different to everyone. For example, chronology for Christians was vital in celebrating many religious holidays such as when to celebrate Easter and knowing that the Apocalypse was nigh.
According to “Cartographies of Time”, timelines have not always been a part of studying history. In fact, there is a history itself in studying timelines. Many people forget that we have not always had timelines as a tool to represent history. In the process of compiling media for my entry (Samuel Tippet) for the Moravian Lives Timeline, I have come to terms with the complex relationship between ideas and modes of representation. Both through words and media such as photographs, it has represented and “clarified” historical events. The description describing what has happened while the photograph can give more insight to where it happened, what it looked like, the time period and much more. “Traditional chronographic forms performed both rote historical work and heavy conceptual lifting. They assembled, selected, and organized diverse bits of historical information in the form of dated list. And the chronologies of a given period may tell us as much about its visions of past and future as do its historical narratives.” (Grafton 11) In the first timelines assembled, there were a list of dates. However, many of these dates were missing the events that coincided with them.
A line or timeline tells more than chronology. It tells a story. Since the first timelines were created, a lot of pieces were missing. Transcribing artifacts as we have been doing in class can help add more information and piece together certain events in history. A ‘line’ has appeared everywhere. Its presence is everywhere. It is used to describe so many different aspects and subjects. For example, in history textbooks or even an analog clock. Mark Johnson and George Lakoff have argued that the linear metaphor is even at work in a digital clock, though no line is actually present.
Focusing on my group’s timeline (Samuel Tippet), he was a very dark soul and pretty religious later in life. Samuel Tippet’s life is in England during the early to mid 18th century. He was born in the parish of Britton. Throughout his life, he turned to God and religion after self-reflecting on his naughty childhood. To highlight one event, in 1754, the Disciple came to Bristol. This is when Tippet pledged his allegiance to God and used this time period to emphasize and explain why religion was so important to him. The Disciple later moved back to London. Another example following 1754 is the next year where it is a defining moment in Tippet’s life. He feels as if he was in the presence of the Lord himself. Throughout our timeline, we include both photographs that help the reader depict what his life was like and the geography of England as well as what the parishes looked like. Our timeline gives background to his occupation, birth, and other additional facts. The two modes have clarified historical events by visual and conceptual analysis. Looking at media as well as reading the description in a time like order gives the best sense to Samuel Tippet’s life.
Attached is my group’s timeline preview link.
https://timeline.knightlab.com/#preview-embed
Morgan Graning is a junior at Bucknell University. She is a political science major and sociology minor. Morgan is from Long Island, New York.