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final blog

Final Blog Post

I am glad I had the unique opportunity to create this final digital artifact. With each digital artifact we have completed this semester, I feel that I have continued to learn more about Tippet. Each time we complete another artifact my knowledge of the memoir is deepened. However, I can finally say that after completing this final digital artifact, I believe I have full understanding of Samuel Tippet’s memoir.  In our final artifact, we posed the research question, “How did religion give Samuel Tippett and others during this time a new life”? It was a very gratifying experience compiling all of our work, and through this, answering the research question. It is interesting to reflect on the process that got us to this final step.

It was so special transcribing Samuel Tippet’s memoir. I felt as though I was privy to someone’s private journal. I found Tippet’s memoir to be very challenging to read originally. There were many grammer and mechanical mistakes in addition to blurry and unclear spelling. This made the transcription very difficult to complete. While it was challenging, I found that working on it with my group was very helpful. We often aided each other in clarifying spelling and grammar. It was useful to have group members to reflect with and bounce questions off of. Once we completed the transcription, we were able to begin analyzing it through several tools.

An extremely helpful analytical tool to us was extracting data. Through the process of extracting data, we discovered many key elements of our text. “By taking advantage of the visualization tools that scholars and professionals in the fields of computer science, graphic design, and information architecture have developed in recent years, those of us who work with digital archives will have the opportunity not only to enhance our vision but also to rethink some of our basic assumptions about how to read,” (186, Whitley).  The process of tagging our text allowed us to come to realizations about Samuel Tippet’s life. We tagged words such as emotion, person and place. This pointed out to us the places he went, the people he encountered, and the emotions he felt. We realized that he was a very sad and negative person with many adversities in life. It became clear to us that he was very heavily reliant on religion. He often turned to God to get him through difficult times. Marking up the text deepened my understanding of it due to rereading it frequently. Through this process, my understanding of how edited texts are produced changed. I did not realize the sheer amount of work that editors put in until I experienced it myself.

Another tool we used to help us analyze Tippet’s memoir was the visualization tool Voyant. “Specifically, I look at digital text visualization tools, such as tools that display word patterns in a graphical format and tools that rearrange the words of a text into playful and thought provoking images. These visualization technologies not only have the potential to transform how we currently use digital literary archives, but they also challenge us to read texts differently than we otherwise would,” (186, Whitley). Voyant truly broke down the text for us and allowed us to read deeper into Samuel Tippet’s memoir.  It organized and displayed the information in a very palatable way through a variety of diagrams. Through using Voyant, we became aware of helpful facts such as word frequency and the exact count of how many times words were stated. This illuminated the high amount of religious and emotional content of Tippet’s memoir to us. Facts like these we might not have otherwise picked up on had they not been highlighted for us by Voyant. “We are inherently spatial beings: we live in a physical world and routinely use spatial concepts of distance and direction to navigate our way through it,” (14, Bodenhamer). Voyant offered us an opportunity to view the text in a different light.

Creating our timelines was similarly very useful for understanding the memoir. They gave us the ability to view Tippet’s life in a concise and chronological way. It broke down the material for us. Through adding photographs and dates, we were able to better visualize many aspects as well. Seeing Tippet’s life in a timeline really exemplified that his life revolved around religion. After we completed our timelines, we deepened our knowledge of the memoir by  utilizing StoryMap JS. As Grafton explains, “while historical texts have long been subject to critical analysis, the formal and historical problems posed by graphic representations of time have been largely ignored. This is no small matter: graphic representation is among our most important tools for organizing information,” (10). Using StoryMap JS was personally the point where I felt I had a full understanding of the memoir. StoryMap JS tied everything together for me and brought the facts to life. Adding media and actually seeing the places Tippet references on a map was very clarifying for me. Once I finished this, I felt confident to create the final digital artifact.

Finally creating the final digital artifact was a challenging yet satisfying process. Creating our page was an enjoyable experience because it is the culmination of a semester’s worth of work. Seeing our work as a group finally come together was very special. As a group, we firstly spent some time thinking about the aesthetic of our page. We decided to put a map of the places Tippet visited on our home page. We broke down our work under four different tabs. One we listed as visualization, one as digital edition, one as sources and another as about the author. We all collaborated on this project, however, my major contribution was developing all of the visualization tools. Our group dynamic was great and each member brought something special to the table. We met several times out of class and really put our best work into the final digital artifact. I feel that our final project has been a success. I believe that we thoroughly answered our research question of ‘How did religion give Samuel Tippett and others during this time a new life’ by the end of our project.

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Blog #5

Blog #5

I have a greater understanding of Samuel Tippet’s memoir through the process of mapping it. I am sure that my group members would agree. In general, I believe that learning is best done with visual aids. Samuel Tippet’s memoir was challenging to understand and get a grasp on. This class has taught me how to properly analyze a memoir. Prior to taking this class, I would’ve only scratched the surface on Tippet’s memoir. I would’ve read it a few times and took notes on key aspects. By tagging, going through the transcription process, creating a timeline and finally mapping it, I feel like I really understand this memoir thoroughly.

As Bodenhamer says, “we are inherently spatial beings: we live in a physical world and routinely use spatial concepts of distance to navigate our way through it” (14). I found this to be very true as I went through the process of mapping Samuel Tippet’s memoir. Samuel Tippet references places in his memoir which I nor my group members were familiar with. It is helpful to see these locations on a map to visualize and make sense of what he is speaking of. I have been to London twice, so through looking at a map and using London as a reference point, I am able to make sense of where different counties he mentions, such as Bristoll, are. Having the map makes these location names come alive. “The complex and culturally relativistic view of space, the the product of the last several decades, has reinvigorated geography as a discipline,” (Bodenhamer, 14).  I wouldn’t have understood London’s relation to these locations had I not investigated with a map.

I have also found that creating our timelines prior to the maps was extremely useful. Organizing all of Tippet’s information in a visual and chronological way was helpful to develop an understanding.  I referenced our timeline frequently through the process of creating my map. “We are drawn to issues of meaning, and space offers a way to understand fundamentally how we order out world,” (Bodenhamer, 14). I used some images from the timeline in addition to ones from google images. The timeline allowed me to see Tippet’s life in the context of a story. Through breaking down and analyzing Tippet’s memoir continuously and in different manners, I feel as though I have finally fully grasped it. Rather than reading and understanding what Tippet is saying at a surface level, I have now done the background research to understand what he is referencing.

 

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Blog #4

blog #4

My group has been working on transcribing writing from the 18th century Moravian culture. The process of marking up our transcriptions has been fascinating. As explained by Tanselle, there are inevitably many differences between our transcriptions and the original text. “Some characteristics of the manuscript are irredeemably lost by transcribing it, for instance the variable shape and spacing of handwritten glyphs versus the constant shape of digital fonts or typescripts,” (464). It is valid that no matter what, there will be discrepancies between the texts. Additionally, there are differences between the pages I transcribed and those of my group members. My group of four people transcribed the Samuel Tippett memoir, each transcribing about 4 pages. While my group and I transcribed the same memoir, there are differences in the way we understood and transcribed our pages. Tanaselle explains that, “Obviously a transcription cannot exactly reproduce the relative precision or carelessness with which handwritten letters are formed, or their relative sizes, or the amount of space between words and lines…The process of selection is inevitably an interpretative act: what we choose to represent and what we do not depends either on the particular vision that we have of a particular manuscript or on practical constraints,” (465). Through the process of marking up our transcriptions, we were able to unify our texts logically. 

Through the process of marking up our texts, we have practiced the concept of close reading. Close reading allowed us to understand the text more deeply than we may have otherwise. We picked up on elements of it that we may not have otherwise and were able to then analyze it. However, choosing which parts of the text to tag was difficult. As Michael Hunter explains, “An electronic edition is like an iceberg, with far more data potentially available than is actually visible on the screen, and this is at the same time a great opportunity and a temptation to overdo things. When so many possibilities exist, there is a danger of technological considerations of what can be done taking priority over intellectual considerations of what is actually desirable or necessary in any particular case,” (167). Our group chose which phrases to tag carefully in order to make sure our pages were cohesive and consistent. Tagging emotions was challenging for my group, because Tippett used lots of emotional words such as love and heart throughout the text. We came to the conclusion that it was best for us to tag words that pertained to Tippett himself, in order to curtail the extent of our tagging.

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Blog #3 contextual research

blog #3

Grafton observes that “Teachers and theorists claimed, over and over again, that chronology and geography were the two eyes of history: sources of precise, unquestionable information, which introduced order to the apparent chaos of events”. Chronology of events is incredibly important in representing history. Chronology is defined as the arrangement of events or dates in the order of their occurrence. Chronological order is the most efficient and clear way to represent history. Timelines also show the progression of history in a very understandable way. Timelines are very helpful because they allow the viewer to compare past events with current ones. Because the progression of history is viewable in one setting, it is easy to also make predictions about possible future events.  Timelines usually entail descriptions of past events, their dates, and include pictures to aid in visualization of the event. As mentioned in “Cartographies of Time”, chronology has serious implications outside of the academic study area. Chronology is a greater part of our lives than we may realize. For Christians, “getting chronology right was the key to many practical matters such as knowing when to celebrate Easter and weighty ones such as knowing when the Apocalypse was high” (Grafton 11).  Through the ordeal of organizing media for the Moravian Lives timeline, I have realized how much it has clarified the historical events mentioned by Samuel Tippet. While dates and details are beneficial, having media to go along with it aids in further understanding. “Traditional chronograph forms performed both rote historical work and heavy conceptual lifting. They assembled, selected, and organized diverse bits of historical information in the form of dated list. And the chronologies of a given period may tell us as much about its visions of past and future as do its historical narratives.” (Grafton 11). Timelines allow us to view history in a way that goes beyond basic facts. A timeline’s concise and clear nature provides the viewer an opportunity to analyze and see history in an entertaining and fascinating way. My group’s timeline of Samuel Tippet’s life gives background knowledge of his upbringing, occupation, and various other facts. Samuel Tippet’s was born in the parish of Britton and lived from the early to mid 18th century. He was a very dark person and throughout his life turned to God and religion to aid him through challenges. We included pictures of the parishes as well as some geography of England on our timeline to help the reader understand what his life was like. The two modes of representation have clarified these historical events through conceptual analysis and visualization.

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